Gotham Comedy Club - In the News!
BackStage - "Laughing Matters"
…..I especially enjoy it when there’s something you really can go see for yourself now. That’s why I was pleased to hear, not only from Gotham Comedy Club owner Chris Mazzilli, but from comics and audience members alike, about the excitement happening at Robert Klein’s Gotham show...

Back Stage 4/14-2000
Entertainment - "Nothing Doing"
Appearances to the contrary, Jerry Seinfeld hasn’t yet retired. [Mostly] Seinfeld’s been doing frequent surprise walk-ons at New York City comedy clubs – including the Gotham Comedy Club…to test-drive about half an hour of material.

Entertainment Weekly 4/28-5/5/00
  Hollywood Reporter -
" New Yuk Although currently in flux, the Big Apple's funny business is comic to the core."
Didja hear the one about the New York comedian? He went to what some consider the main breeding ground of the American comedy scene to make a splash, worked the underground circuit, got himself a manager, had a hard time getting gigs in clubs that his manager didn’t own, tossed aside the experimental stuff and traded in stand-up for a developmental deal – in Los Angeles.

It didn’t happen, but then again, maybe it did. Depending on who you speak to in the business of being funny, New York’s comedy scene is: vibrant, yet in a lull; taxed by the number of short-term comedians who only want a TV deal, yet miles better than what’s happening on the Left Coast; suffering because club owners have gotten into the managing game, yet surviving because club owners are cultivating their own talent. The main players disagree, but nearly everyone acknowledges that New York is the land of opportunity.

New recruits to the scene aren’t likely to dive in at a major venue such as….the Gotham Comedy Club; [this] venerable venue, on a given night, can host anyone from little-known local names to drop-ins such as Jerry Seinfeld or George Carlin.

Chris Mazzilli, owner of Gotham Comedy Club, is a rare proprietor who doesn’t manage comics, and he has made a point not to muddy the waters. “You start to compromise the stage,” he explains. “People will say, ‘Since you manage those acts, you give me two acts; I’ll put them in my room, and I’ll give you two acts to put in your room.’ You start to whore out the room with acts.”

Stand-up is hardly the be-all and end-all of New York comedy, as other organizations attempt to engage the local comedy zeitgeist. Festivals don’t make much of a dent in New York. “Every night in New York is a festival” shrugs [one manager]. “In other cities, the city all but shuts down, but in New York, something really big has to happen before people suddenly stop and say, ‘Can you feel it?’”.

So is the joke on New York’s comedy scene? Can it be simultaneously rising to new heights and sinking to new depths? There’s no question that, at least these days, pretty much everyone is in it for the money. “I don’t think that anyone wants to be doing this, night after night, for 20 years,” admits one comic. “Without question, people want to be on TV and the movies; the stage is not their final destination. Zero comedians make a living from just doing shows on a stage.”

Yet, despite the pressures put on comics to get that deal or sign with the “right” manager, it’s still the place to be for those who really want to know how the funny business works.
Plus, there are still purists who see New York as the true heart of American comedy, no matter what the scene does.

Hollywood Reporter Comedy
July 18-24, 2000 (excerpted)

Daily News - " Best of New York."
Mazzilli, who can be found at the club 70 to 80 hours a week, remembers one of his favorite nights at Gotham. "Robert Klien did Wednesdays for a year here, and one night George Carlin came down to see him and Jerry Seinfeld happened to drop by and go on stage," he says.

"So at one point Seinfeld, Carlin and Klein are standing upstairs at the bar talking and people were coming out of the showroom after the show and hyperventilating. It was magic and I was like, 'This is what it's all about.' "


Daily News Sunday, January 5th 2003 (excerpted)
Media Week - " "Elite Night Spot""
At its chi-chi opening last week, Comedy Central's Doug Herzog, New York’s Larry Doyle and Premiere’s Holly Sorenson were in the crowd, so it's off to a good start. Gotham, a new NYC comedy club O&O'd by comics Chris Mazzilli and Mike Reisman, hopes to bring laffs to the Flatiron district while making that two-drink minimum. Dave Chappelle, of ABC's short-lived Buddies, headlined to a full house. A decent omen for any showbiz venture.

Media Week Article 5/13/96
NY Times
- "Standing Up To Be Counted"
Jerry Seinfeld arrived, unannounced, at the Gotham Comedy Club on West 22nd Street on Saturday, November 4, not knowing that he would be sharing the stage with journalists moonlighting as stand-up comics.

Mr. Seinfeld arrived while Walter Shapiro, a political columnist for USA Today, was on stage. In the audience were Mr. Shapiro’s wife, Meryl Gordon, a contributing editor of New York magazine; Joanna Coles, the New York bureau chief of The Times of London; Matt Cooper, the deputy Washington bureau chief for Time Magazine; the cartoonist Jules Feiffer; and his wife Jenny Allen, a freelance magazine writer who was waiting to make her stand-up debut. There were some non-journalists there as well, such as the restaurateurs Peter Glazier and Penny Glazier.


New York Times Metro Section 11/7/2000 (excerpted)
  Crain’s New Enterprise - "Thirtysomethings open club just for laughs, despite a decline in venues"
Michael Reisman was the class clown who wanted to be a professional comedian but wound up a bond trader. Chris Mazzilli was the class clown who wanted to be a fashion designer but wound up an actor and comic.

The two men, who met while performing stand-up routines, have joined forces and dreams to create the Gotham Comedy Club, a night spot scheduled to open at 34 W. 22nd St. in May.

The two businessmen obviously have a sense of humor; Gotham is opening during a period of decline for New York’s comedy clubs. Victims of too many specials by stand-up comedians on network and cable television, the city’s eight largest comedy clubs are trying to lure potential customers who find it easier and certainly cheaper to put their feet up on their coffee tables and turn on the tube.

Catch a Rising Star wanes

Catch a Rising Star, one of the hottest comedy clubs in the Eighties, closed in 1993, and the well-respected Improv was forced into a smaller location.

“As a bond trader, you learn that when the herd goes one way, it’s time to go the other,” says Mr. Reisman, 31. “When everyone was talking about the death of the comedy clubs, I figured we had hit bottom and the time was right to get in.”

To lure the couch potatoes, Mr. Mazzilli has designed the club to be a more elegant example of the genre, with comfortable seating, an oak-and-copper bar, and an antique bronze chandelier. Investing in the neighborhood of $300,000, the partners spent $50,000 of it on the bathrooms alone, putting in more stalls than required.

The two-story club will have a television lounge where customers can gather before and after the shows. They are negotiating with a neighboring restaurant to provide light meals and snacks.
“We’re going to seat about 150 people – less than we could – to make it more comfortable for everyone,” says Mr. Mazzilli, 31. “We are aware that a lot of the clubs out there are rundown.”
The comedy club circuit is a tight-knit one in New York, and Gotham’s competitors – who in various capacities have employed Messrs. Reisman and Mazzilli – don’t have encouraging things to say.

“The comedy business is comparable to the real estate industry,” says Silver Friedman, owner of the Original Improvisation at Shutters Café. “People are starting to get back into it, but we still have saturation. There’s an overdose of comedy out there.”

The partners hare undaunted. They have modeled their cover charges - $12 plus a two-drink minimum on weekends, less on weeknights – after Caroline’s, one of the most successful clubs in the city. They say they will combine “headliners,” or established comics, with newer artists.

Once a Performer

Of course, both of the owners expect to perform.

Mr. Reisman, who grew up in the Bronx, got his first big laughs from his parents. Even so, he chose a career in finance. After graduating from Carnegie-Melon University with a bachelor of science degree in mathematics, he went straight to Wall Street. Mr. Reisman eventually became a bond trader for Lehman Brothers, then left after eight years for Long Term Capital Management, a money management firm in Greeenwich.

He dabbled in his earlier calling, taking a class in comedy and performing a five-minute set at a comedy club. The club’s manager was Mr. Mazzilli, and he liked the set so much he invited Mr. Reisman back.

The two became friends, and Mr. Reisman became a regular on the circuit. He found a manager, and in 1991 was debating whether to make stand-up a career when he decided that bond trading was more lucrative.

Mr. Mazzilli grew up on Long Island, where his family ran a supermarket. He, too, was a cutup, but decided that design was the career for him. He attended the Fashion Institute of Technology, and after graduating, took a job with a men’s suit firm. He lasted two weeks before he quit and signed up for acting classes.

He won a few dramatic roles, then decided to go into comedy. He performed at the clubs, and worked as a manager at a few of them.

“We know the business from both sides – managing and performing,” Mr. Mazzilli says. “We think that if we treat our customers properly, they’ll keep coming.”


Crain’s New Enterprise
New York Times - "Going Hunting in Seinfeld Country, Just for Laughs"

9:30 p.m., Gotham Comedy Club, 34 West 22nd Street.

"Inside the club, the announcer tells the audience that Jerry Seinfeld has dropped in. There is an awkward silence, a few gasps, laughs of disbelief, and then Mr. Seinfeld steps through the black curtain and the room erupts.

"I can't believe it, either!" he gasps back at the audience.

"This is where the big comedians come to try out new jokes"

By Rick Lyman


New York Times Arts & Leisure 9/15/2002 (excerpted)
Back Stage Article - "Laughing Matters"
…..I especially enjoy it when there’s something you really can go see for yourself now. That’s why I was pleased to hear, not only from Gotham Comedy Club owner Chris Mazzilli, but from comics and audience members alike, about the excitement happening at Robert Klein’s Gotham show.

Back Stage Article 4/14-20/2000 (excerpted)
New Ypork Post - "Jerry Reborn"
Trolling his home turf of the Upper West Side, the master of observation comedy is hitting the streets...looking for fresh material. Most of his days are spent wandering up and down Broadway scribbling notes. He has even showed up, unannounced at the Gotham Comedy Club...

New York Post 9/16/2002 (excerpted)
 
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